This is a screening by Jackie Treehorn Productions, an independent film club showcasing a large variety of films throughout Nottingham.

A puritan Police Sergeant is sent to a Scottish island village in search of a missing girl who the townsfolk claim never existed; stranger still are the pagan rites that take place there.

The film follows the real-life struggle of converting the UK’s first fishing boat to solar and electric power to fish at a competitive and commercial level. 

It's set on Scotland’s West coast in the scenic and alluring Argyll village of Tayvallich. Over the course of almost a year it runs with the highs, lows and challenges related to the venture as well as the determination and skillset of the builder and skipper. 

The young local director Joe Osborn has skilfully engrained the seasonal moods, the strong local community spirit and the Argyll way of doing things into a compelling story of our times. One fisherman’s conviction towards the carbon free future we all need to embrace. A small film, but a powerful one.

Find out more about their story at
https://itllneverwork.boats/our-story/our-story

For our discussion we will be joined by Arun Khilnani, researcher at the University of Nottingham's department of the Electrical and Electronic Engineering. His research interests are focused on Electromagnetic Compatibility applied in Power Electronics.

I could never go vegan. Five words uttered around the world by many a non-vegan, but why? On a quest for the truth, a filmmaker sets out on a journey to find out the leading arguments facing the vegan movement, and if they're justified.

For the Q&A we will be joined by the writer and producer of the film, James Pickering.

This is a screening by Jackie Treehorn Productions, an independent film club showcasing a large variety of films throughout Nottingham.

An American actor Bob, lands in Tokyo for an ad film and ends up meeting Charlotte, who's left behind by her photographer husband. Gradually, the two discover a friend within each other.

Life in the isolated town of Charrúa is dominated by the presence of a large power plant that distributes energy to most of Chile. A little boy hunts rabbits, residents demand better electrical coverage at a town meeting, a woman waters the plants outside her house and a local radio station relays the day's happenings. At night, wildlife is captured on camera, along with strange bursts of light that momentarily illuminate a countryside criss-crossed with pylons and cables. And ever present is the insidious hum of electricity.

This is a screening by Porlock Press, an independent Nottingham-based film club showing a wide range of cult film, with a focus on animation of all kinds. 

A young couple resort to extreme and unconventional measures to bring a ‘child’ into their lives, with bizarre and deadly consequences! Director Jan Švankmajer blends live action and stop-motion animation to great effect in this absurd and darkly comic story, inspired by the Czech fairy tale Otesánek. 

"Rivals The Exorcist, Rosemary's Baby, and Eraserhead as a disturbing treatise on the fear of parenthood.” - The New York Times

Food for Profit not only discloses the horror of intensive farms and the political corruption behind it, but with a pool of international experts, it tackles and analyses the many problems related to factory farming: from water pollution to exploitation of migrants and from biodiversity loss to antibiotic resistance.

With a cinematic approach for an investigative documentary, Giulia and Pablo take us on an enlightening but shocking journey across Europe, where they confront farmers, corporations and politicians. Their team of investigators infiltrated farms in many European countries, exposing the truth behind the perceived excellence of European dairy and meat. In parallel, a fake agrifood lobbyist has infiltrated the high spheres of power at the European Parliament, secretly recording MEPs and gaining shocking information.

The film’s outcry is loud and clear: we must stop this corrupt system now if we want to save the planet. And ourselves, too.

After the screening, we will be joined virtually by the co-director Pablo D'Ambrosi for our Q&A.